The gameplay is as tough as you’ll find. I guess you can’t say it’s Battletoads tough but more like a very tough side scroller that you don’t want to play again. The game has decent controls but the monsters come from all places! You can’t find yourself in a good position at most of the times. Your bird doesn’t help much, you are at a loss!! HELPPP!!!
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Sometimes the trampolines are a bit touchy, and the third-level vines especially so. In fact, this entire game has a very distinct feel to its controls that takes some getting used to. Once you get used to it, you will find yourself smoothly traveling between the floors, using the trampolines, setting the in-level traps, grabbing the items, and traversing along as you conquer level after level, until the welcome reprieve in the castle side-level (like the church or haunted house on level six) of level eight when you race to try and gather the items in time for Mappy’s family member’s birthday party, etc. This is among the most obviously arcade-inspired of the NES games.
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The scan shown above is from the actual copy I picked up that day, thirty years ago. Given the many times I have thumbed through it (and drooled over it), in the months that followed that moment, it looks surprisingly fresh. The main selling point of the ColecoVision was a mouth-watering home conversion of Donkey Kong. A screen shot of it was put prominently on the front of the brochure. With the yellow high-light behind it, it stood out more than the actual console itself. And with reason. This was its killer app.
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You play as the white ship (see pic) that is always fixed on the left hand side of the screen. Enemies such as fish, battleships and lizards all come at you, and it’s your duty to blast them away. That’s your lot. Added intrigue does comes about however, with how the screen is unevenly split between air, sea and underground. Your craft can dive underwater (which involves a cute – for the Atari – splash effect) and burrow underground, but for all extents and purposes the ship’s handling remains the same.
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The idea of mixing exploration and action is always interesting. In some games like Allen Wake, it did not work so well running to collect book pages while trying to avoid being killed. However, in Odallus we are promised to be treated to intense battles not made for wussies while still maintaining an exploration based experience.
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Don’t think that Tempest 2000 is just an audio visual enhancement to the original – Yak also added 100 varying webs (levels), new opponents, collectable power-ups like the particle-blaster/laser, jumps, and A.I. Droids who destroy anything that gets too close. Thrown in this awesome gaming mix was the new ”Melt-O-Vision” transition effect – very psychedelic (very Jeff Minter) indeed. Add the different types of play options – two-player cooperative and competitive play modes and you got yourself one awesomely gorgeous masterpiece.
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It’s a game of deductive reasoning, meaning random guesses won’t help you. The Electronic Crime Scanner can replay the clues to aid you in your quest to locate the thief. Once you think you know where he is, you call the police, and hope to hear the sounds of the thief being taken away to jail. But if you’re mistaken, you’ll hear the sound of the thief escaping, and a big raspberry for your trouble. That sound still makes me cringe as it represents the same thing today as it did over 20 years ago: the utter failure of my detective skills.
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he stages are all segments of the same road which winds along a clifftop, movie-stylee – one side is sheer rock with the other side presumably consisting of a drop of equal sheerness! Normal traffic passes along the road in both directions now and then, although it’s not too busy, and there are also police radars which will summon a police car if you go too fast. There’s no time limit or other vehicles to race so you can approach the presence of the rozzers one of two ways: either go too slowly to bother them, or the way I’m sure most gamers will choose – go as fast as possible to outrun them!
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The musical score of this game is quite astounding. Did I mentioned there are only a couple of songs in the entire game? Well, they do the right job that’s for sure. The music will get you pumped up while the sound effects will reflect on how well you are doing in the fight. Be sure to tap the buttons real fast if you want to get up and fight again! You have been warned…
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The gameplay consists of working your way upwards and dealing with onrushing enemies with a swift shruiken to their faces. One hit and you’re finished, so the game can be frustrating, especially if you are approaching a yet unexplored area. Foes seem to come from nowhere and can finish you off in a second. Trial and error is therefore a part of the game, and you either love that or hate it. I’m usually against such underhanded tactics, but in this game is seems an acceptable evil.
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This game looks okay. There are some still frames that look like characters from the movie, and one particularly creepy face shot of Beetlejuice that is reused every time something happens. But the actual gameplay graphics are not indicative of a producer that cared about its product, as the insect enemies look a little worse than generic and even the bosses are uninspired and bare-minimum. The highlight may be the infamous “snake” villain, which is truly frightening; though, this could just be because it is impossible to kill.
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Staying in the world of Mario Bros, in the original Super Mario Bros for the NES the clouds and bushes uses the same graphics. Yes, it is true, sometimes you need to save on artistry so why not turn a white cloud into a green bush (insert you own joke here. I bet most of you never even noticed.
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The graphics have no retro wow factor either – patches of grass look like they were sketched by a five-year old in a more restrictive version of Mario Paint – it makes you wish for a simple but effective black space background. I’ve not managed to get very far in the game (the screenshot above is of a level that I will probably never get the chance to play through) but I still think most of these criticisms still stand. So don’t bother with Xevious. Just let it quietly pass away, and hopefully the game’s developers will do the same.
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With games like Final Fantasy 2(4 in Japan) hitting the USA and other RPGs as well, there was no doubt that this title wouldn’t stand against others. In my opinion, I think this game was released just to show off what the Turbo Grafx console was capable of. The game is very simple, although based by an anime, it’s not bad at all. It contains some RPG elements that help it stand out a little bit. There is also a transformation sequence where you turn into a robot and fly around…
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The level design in the game is creative and every level carries a different objective. As you climb your way towards the top you will find the one annoying feature of this game, as everytime you lose on a stage you will drop down to the last and be forced to fight your way back up. A concept that keeps you playing and occasionally keeps you frustrated. The game features no game over, so there is no real reason to quit.
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The game itself is more of a traditional action platformer. Developed by Telenet Japan Co and released in 1990 this six staged game featured your standard left to right enemy slashing actions. The game featured, items, power-ups, mid-level bosses and end bosses which, as said, took advantage of cut scenes featuring animation and voice overs.
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The game provides a decent pace of action; not quite Ninja Gaiden or Mega Man, but a respectable clip nonetheless, while traversing through the historical context of such areas as World War II-era Germany. There is even a flight level where Indy participates in dogfights with enemy planes, zeppelin, and even fights the Red Baron. Touches like that add to the appeal as Indy ends up killing a few actual historical figures; though, in classic NTSC-region censorship, there is no outright reference to Nazis or swastikas to be found.
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