The Nintendo 64 or N64 is the 64-bit console system from Nintendo that helped usher in 3D gaming. There were a number of hits for the console and you can view our reviews for the N64 here.
It featured a similar set-up to Mario Kart, with racing through colorful themed tracks with power-ups to use. The cast didn’t feature Diddy Kong’s famous uncle, but original characters. Most notable would be Banjo the bear (who would later star in Banjo-Kazooie) and Conker (the star of Conker’s Bad Fur Day) the squirrel.
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In addition to all of this is a wealth of content including a championship mode for every belt that had dialogue, branching paths and even choices you could make to influence alliances. A survival mode – where you were charged with defeating forty opponents without getting knocked out of the ring, custom multiplayer tournaments and one hell of a create-a-wrestler mode. I would spend hours crafting a character to my liking before loading it onto my memory card and heading to a friends place to take them on.
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There are some variations to break up the question and answer format, such as the wheel of fortuitousness (where if you land on a certain section you get a points bonus or are allowed to play an extra bonus game) or a pressure round – where if you get enough questions right a huge anal probe/drill is rammed up Cartman’s…well, you can guess where. As you might expect, the mini-games are where the most fun is to be had, and most of the challenges are incredibly simple but perfectly suited to simultaneous competitive play.
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You’re tasked with infiltrating a frosty Scandinavian (well, I presume it’s Scandanavian – the game gives all of its locations fake names for some reason) base and destroy the submarine within it. Sounds promising, but it’s almost insultingly simple. You go into a building once you’re into the base, knock out a guard, disguise yourself as him (face changing is a big part of the game) and then stroll to the exit.
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Moving your cue (seemingly held by the invisible man) is done with the analogue stick. Adjusting the cue angle is done with the right C-button, while holding the R trigger helpfully allows you to see things from an overhead perspective. Hitting the ball is a little odd though. You have to hold A, and then pull back the analogue stick, pushing it forward to strike the ball. The strength of the shot depends on how quickly you move the stick.
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The camera is very poor, and you’ll be wrestling with is by using the C-buttons a lot of the time. In terms of difficulty the game can also be very unforgiving, with the latter parts of the war section in particular being controller-smashingly unfair.
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The first mistake this side-scrolling, two-dimensional (not even the third dimension of being able to walk into the “depth” closer to the background, but purely left and right or up and down) beat-’em-up is that the A button attacks and the B button jumps, which is not only in reverse from the legendarySuper Mario Bros. original NES game that set the golden standard, but also serves as a stark reminder as to what camp this cartridge belongs to: The crappy one with all the terrible games.
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Once you grasp this, and it takes a few minutes, you can start destroying large amount of blocks at once. You’re helped by the ability to drag blocks where you want – as long as there aren’t any in the way of course – and the helpful fact that the shadow of the block you’re about to place changes colour if it will start a combo. It’s hardly a pick up and play title. But credit to developer H20 Interactive, they tried to squeeze as much as they can out of the concept. There’s a two player mode (strangely, none of my friends want to play the game), and a solo option with plenty of options.
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In the standout parts of the game, the worlds you explore are nearly all wonderfully varied and lovingly designed. Each world is standalone, with different enemies and wildly different challenges in each one. They’re small but have a whole lot of things to do in them.
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Despite a lot of recycled graphics, Majora’s Mask is one of the most unique Zelda games ever. It’s dark, weird, has aliens, and is about the end of the world. Not exactly a typical adventure in Hyrule. Hell it’s not even set in our favorite Nintendo kingdom.
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You weren’t warned. You didn’t see it coming. A freakish tetronimoe outcast, it could take one of many forms. A weird zig-zag abomination, a ridiculously long one block beanpole or a ‘screw you’ lardarse square spanning many squares in width. It could be any of these, and they all mess your game up like no-ones business.
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You play as a fighter pilot, and view things from a first person perspective. Basically you move your crosshair with the analogue stick and fire away at baddies. That’s it. All the main handling is done for you. It’s a generally sluggish and un-involving affair, with only the boss battles the moments graced with any gravitas.
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If there’s one thing that you can pretty much always rely on Nintendo for, it’s the very high quality of their games. The presentation here is of outstanding quality and the game really is an amazing experience. What with the lush graphics, relaxing music, the water constantly splooshing and tossing you around, you can almost feel the spray in your face! It’s not all superficial either, the game is immersive and thrilling to play and is one of the few videogames I’ve played which is more of an experience than a mere game.
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The game is simple but can be quite challenging when a massacre of items and weapons are being used against you. The boss fights in story mode can be difficult and sometimes annoying, especially when they scatter debris for you to trip over. Some characters use special boards in certain stages, making it difficult to pas them without the aid of a special board. After beating story mode, it gives you the option to play it on expert. I found the dinosaur in Crazy Jungle to be extremely difficult in normal mode, even with the dragon board, so I imagine on expert it is probably impossible.
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