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For those that have never laid eyes on this game, the protagonist is Otto, or Agent 17. Otto is tasked with collecting secret documents from rooms (behind red doors) within the 30-floor building. He makes his way between floors via the elevator (hence the title – d’oh) and on certain floors, he can use the escalators. To make things interesting, enemies appear at the most inopportune time to get Otto and derail his whole secret mission.
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The gameplay is truly enjoyable! I can’t say enough! The game is short but fun and quite challenging. If you think the first stage was easy, they are just easing you in. Be sure to get all the power ups early on because you are going to need them. The game does a great job at raising the bar in difficulty although the enemies are quite simple if you learn the patterns and even then some don’t have patterns and you just have to shoot and move. Fun fun fun !
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Now as you can see the game looks incredible so that means older phones might have issues so check the specifications before you download. The game itself is a top down free-scroller which means you have much more control over your movements then you would in most space shooters. Your ship comes with shields and a number of weapons to take out the multiple enemies that are gunning for you. Did we mention you don’t need to buy addition weapons or features?
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5 Mins- I learn that the game was orignally a electronic game, and a fairly simple one at that. The Game Com was the only console to have the honor to gain a Tiger ‘conversion’ original. Regarding how the game actually works, it’s something to do with making all the blobs of light on the 5×5 grid unlit or something. Do you really care? I start up the console for another attempt.
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This game offers a true test, even for shoot-’em fans. The design is tight, the waves approach with just the right mix of anxious panic without seeming completely impossible, and the entirety feels appropriately tense, even desperate, maybe adrenaline-pumping. The projectiles fly fast, there are pleasant little pacing cuts between levels, and points are kept for those old-school arcade-style high-score seekers. In fact, some bonus items occasionally emerge to be picked up for a tidy allotment, such as a cow or strawberry. Seriously.
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Eye candy aside, and there’s quite a bit of it as Egress is very good looking first-person adventure indeed, this short sci-fi offering is a also a good and atmospheric game. Set in the outer reaches of space, it follows you, the commander of a two man recon team attacked by a weird black blob, as you explore a mysterious planet, search for you partner (his screaming is rather annoying apparently), try to figure out what’s going on and, quite obviously, save yourself. All this with the help of a pretty standard interface and against some mostly easy but definitely enjoyable puzzles.
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Developed by Psygnosis and published by Electronic Arts, Shadow of the Beast tells the story of a child kidnapped by mages. This child was transformed into a powerful creature to be used at their will. Years later you learn the truth of your past and set out to kill everyone involved and ultimately your master.
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It remains to be one of the more memorable games of my childhood, and features one of the most unforgiving final boss fights I’ve ever encountered in a game. This game is based on the first Batman movie, although you may forget that once you see batmans purple suit, never before seen enemies, and some off the wall boss fights. You will find yourself beating down enemies, ninja gaiden wall jumping, and batarang spamming all the way to the Joker. A challenging, exciting, and highly enjoyable game in every way… this is one you dont want to skip over.
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Fan service is also prevalent here; many more characters are featured this time around, including the Dinobots, the Combaticons, Metroplex, and the Insecticons. I actually felt like I had been sucked into an eighties toy commercial every time a new character appeared. Hardcore Transformer fans should really find a lot to enjoy here, before I played the game I couldn’t distinguish Swindle from Onslaught, so fans of the source material will really enjoy all of the love taken with the character choices.
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You also have to be careful how you drive as not only can you run out of fuel but you can also wear out your tyres too. Driving too fast around corners too often, for example, will soon see your car squeal off to the side like a burst balloon and stop dead. This, as well as the fuel situation, can be overcome by making one of the titular pit-stops. These can take some time but are unfortunately necessary if you want to make it to the end of a race in anything resembling a decent position.
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The video quality of the beamed content was just as good as the content appears within the websites themselves. While using the app only a little buffering was apparent early on in some higher quality videos, but at a level far less than often encountered when playing content straight from the built-in XBox 360 applications. Each HD video used to test the application, once streaming on the television, was indistinguishable from broadcast quality programming.
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A s for the game, it’s well suited to the Gameboy and really did deserve to reach a worldwide audience. It has small, manageable maze levels that are suited to quick bursts of play, and is simple enough to be grasped by most players. Stabs of annoyance can occasionally be inflicted through the game’s controls, such as having to flick your gameboy to jump, which temporarily snatches any view you may of the actual screen. Fortunately, foibles such as these aren’t enough to boil over into out and out frustration.
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At A Distance, you see, is a psychedelic two-player puzzle game that’s been designed to be played on two computers running side by side. It is a game sporting unique visuals, an amazing atmosphere, fantastic mechanics and an uncanny ability to feel like a collaborative board game that has somehow made it inside a computer. It is thus an original and very much indie offering in which the right player will be looking at something like this:
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The graphics are very good and sharp. The game does deliver some of the best graphics for its day. Squaresoft did a good job making the characters look how they are supposed to. Just think about this, remember how the Final Fantasy VII characters looked in the game? Well, look at them in this game and tell me they don’t look better. Tifa’s boobs are yummier than ever!
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Each “level” of this “game” is actually a dream that Barbie is having, which is a convenient cop-out way to explain the ridiculous elements in each stage. Nonetheless, Barbie is armed to confront her adversaries with projectiles that never seem to hit anything, despite their somewhat potentially interesting mechanic of traveling a certain distance dependent on how long the player holds the B button. It is a shame that the potential of this degree is play control is wasted on such garbage of a video game.
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With the plot set, the next thing to get your head around playing this game is the dual-joystick control system. The left-hand joystick provides maneuverability (usual eight directions) to evade the robots and also rescue the humans. The right-hand joystick is used to fire the laser gun (also in eight directions) to disintegrate the robots in each wave (level). Once you get the hang of the control system, you will be blasting Grunts, Tanks, Brains and rescuing the hapless humans in no time.
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The third mission begins in a janky underwater area and the entire stage exemplifies the initial slow pace of MS3 in comparison to other titles in the series. The third mission’s boss is very easy and very generic, which does nothing to prepare you for the little stage of horrors that is the fourth mission. Our zombie friends are back, newly equipped with their own blood-vomit attack, along with Audrey-esque cannibalistic plants. This stage is hard, bloody, and will leave you begging for more.
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