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You also run the risk of making contact with a piece of off track scenery if you don’t take a corner well enough, and this results in the same major sap of speed. Collisions are given a Space Invaders-esque explosion sound effect though. That’s quite cool. As is your wing mirror getting cracked when you crash too much.
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The gameplay of the game is nothing but wonderful. If there is a strong point of this game is the gameplay which is what makes you want to come back for more. Not only is it challenging at times, but it’s just a wonder to go through your noobie team and turn them into professionals. From beginning to end, you’ll end up powering through some tough challenges and it’ll definitely want to do it all over again.
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I think my favorite part was the crimson head zombies. The regular zombie was no longer a threat, so after a few easy 9mm caps in their butts they go down easy. However after some time, the zombies revive into nastier and stronger version of themselves. The first time you see one of these guys wake up, will make you paranoid about burning or beheaded every zombie you meet.
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[youtube]http://www.youtube.com/watch?v=wygLNFdUgtw[/youtube] Taste You Like Yogurt by Whatchyamacallit ft Flula Borg & Flynt Flos This video has everything. Strange lyrics, awesome dancing,
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On the first level, the player notices three barricades blocking three of the lanes. Now, by their height, it could be supposed that they look low enough to jump over. This would not be an unreasonable guess. However, they are impossible to jump over, resulting in the loss of a life for a player trying that tactic. So then, now knowing to dodge those particular sorts of barricades rather than try to hurdle them, the player immediately comes across another interesting sight.
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What’s more the game itself is rather good too, though definitely not exactly my kind of CRPG. It’s pure hack-and-slash with minimal exploration, only slightly confusing dungeons and simplistic combat. If it weren’t for the demented plot, the brilliantly hilarious cut-scenes, the hundreds of hidden jokes, the excellent and deep combat system, and the fact that the game wisely rewards gamers with something different every hour or so, I’d have probably given up on it, and would have lost one of the most ridiculous game finales this side of Monkey Island 2.
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The game is so short that playing it over and over can be quite fun although tiring at the same time. There is only so much you can do and the levels are very linear. There is no other way around any of the levels. Just walk from left to right until you reach the boss. In replay value this game suffers but there is always an urge to come back to it for a quick play especially if you know the length of it. Sometimes, games don’t need to be long to be fun.
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First is that the water in the game is very odd, with weird flickering dots appearing on top of it. Not particularly easy on the eyes. The other is that no matter how many rings you hold, when you get hit you only drop around 5, meaning that the difficulty is a little higher than a Mega-Drive Sonic title. It also robs you of seeing the rings cascading in every direction – personally one of my favourite little touches of the series.
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Halo 2 was a big jump up in graphics from the first game, and they did add a lot of new stuff like dual wielding and energy swords now. The single player was enjoyable but kinda left you half empty. I liked playing as Master Chief, I thought Arbiter’s bad guy turned good story-line was uninteresting and stupid. If I’m going to play as a alien you killed a ton of in the last game, then I want to kill humans not other aliens.
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Despite the technical shortcomings of its audiovisual presentation, A Boy and His Blob is undoubtedly one of the most distinctive titles in the NES library. Its creativity and utter uniqueness lends it a sort of quality that has led it to becoming one of the most fondly remembered and beloved cartridges ever released in 8 bits. For many retro gamers, Boy And Blob holds a distinct sway in nostalgic sentimentality.
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The biggest change between this game and the original is of course the graphics which are lovely and suitably grotesque, including pulsating sacs, toothy mouths, slimy tubes, scuttling insects, and all manner of horrifying beasts. There’s even huge bosses this time too! There are initially three tables to play in arcade mode (although more can be downloaded) and the ball pings around them at quite a speed, probably the fastest of any Crush game so far, and as usual they are packed with secrets and bonuses galore.
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Military Madness sounds like it could be the name for all the wars happening in the past 12 years, but it is actually the name of a turn-based strategy game released for the Turbografx-16 by Hudson Soft in 1989. You play on the moon in 2089 on a hex map controlling the Allied-Union forces against the Axis-Xenon forces. Now unlike many games like this you do not build units, but you can capture enemy units being built in factories. The game was eventually remade for the PlayStation and a 3D remake was made for WiiWare, Xbox Live Arcade and PlayStation Network.
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With all the hubub about DRM and digital distribution of games, it’s real easy to forget that some platforms have been using the concept for DECADES. One such platform was the Commodore 64, a system very near and dear to my heart. And as such, I’d like to present a game that is similarly dear to me, as it’s one of the first games I ever played, Haunted Hill for the Commodore 64! Written by George Richardson for Merlin’s Associates, its a simple Centipede style game released as a shareware title in 1983. But, as you’ll find out, it’s more than just that.
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In a nutshell, Rush Bros is a platformer game in the likes of MegaMan, Sonic and even newer indie games like Super Meat Boy. You navigate the beautifully created levels with your little rocker running, jumping and avoiding various traps placed throughout each level. The key is taking in your environment. You can just barrel your way through, especially if you are used to playing these types of games, but if you do you are missing the point and the fun.
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I could go on and try to ridicule the thing, but I wont. Sadly knowing that the developers are reading this, I’ll humbly suggest a few things to vastly improve the game and give it a fighting chance in the rich world of commercial indie games, where it will apparently have to compete with such acclaimed games as AI War, VVVVVV, Eufloria, The Dream Machine and Revenge of the Titans. I also promise that should Thunder Fleets get an update in the correct direction, I’ll be more than willing to re-review it.
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Enemy strikes deplete Riki’s health-bar but this can be replenished by performing a high-jump (jump while squatting) to grab the icons that occasionally float along the top of the screen. As well as several types of food to refill your energy, there’s also a temporary shield, but they’re tricky to grab without taking any damage as the buffoons running backwards and forwards along the single-plane landscapes are infinite and quite quick too. They’re also pretty small, as is Riki himself. The level of detail isn’t too impressive on most sprites either but the mid and end-of-stage bosses are quite varied and a bit more detailed too.
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The combat was probably the weakest thing about KOTOR, which isn’t probably a bad thing when the quest was so long, the characters so memorable, and a story that dragged on you for the ride. Republic solider Carth, Jedi Bastila, alien teenager Mission, her wookie Zaalbar, weird cat lady Juhani, and the evil droid HK-47 all have their deep but interesting backstories, and provide memorable parts to the main plot. The Sith Lord Dark Malak made the first really great Star Wars villian since Darth Vader.
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