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One of the interesting things about this game was the fact that you only had one life, but you could continue up to five times and earn more continues in bonus rounds. Also, you would gain health and power ups by hitting frogs and the power-ups gave you special attacks as well as a charge attack you could use temporarily.
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Chiller was first released to the arcades in 1986 from publisher Exidy and the game consisted of several different screens of horror settings like torture chambers and graveyards. Now you would think the goal would be to save the helpless victims trapped there and to shoot and the bad guys holding them there, but you would be wrong, horribly wrong.
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The four stages take place on a subway platform, a harbour, an alley, and the gang’s hideout, and each is home to unique enemies. The amount of energy their attacks cost you is dependent on what they attack you with. Some have only their fists but others are armed or even riding motorbikes. Thugs wielding knives or guns can even kill you outright with one hit, and this makes an already rock-hard game harder then ten adamantium-coated diamonds! You only get one life, you see, and unusually for an arcade game you don’t even have the option of adding coins to continue.
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Of all the tweaks to the original Bomberman NES game, major and minor, the most noteworthy is probably the visuals. From the in-your-face title screen to the overhaul of the main quest looks,Hudson shows off their artistry with crisp, colorful, cool pixel pieces from beginning to end. Every eight-stage Area has a different theme, which determines the color and appearance of the soft blocks, permanent blocks, border, and background color. There are still-frame cutscenes between each areas, showing Bomberman’s continued progression to true freedom. Many of the enemy designs from the original game return fairly faithfully but with an appropriate touch-up. While other elements shine as well, like the fantastic frame-by-frame explosion animation, there is definitely a bit of slowdown when a lot is going on at once on-screen. This is unfortunate, especially later in the game.
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The graphics are quite enriching and beautiful for such a SNES title. Mega Man has never looked more lively and he is quite enjoyable to look at especially when you aren’t doing anything with him and he just stares side to side. You know he wants to shoot at stuff! Either way, all the classic Mega Man characters are here including Proto Man and the introduction of Bass starts in this game as well. They all look sharp and lively, it’s a great sight especially to gamers that were playing 8-bit Mega Man all these years.
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I ran this game on my Motorola Photon and the HD rendered tracks look crisp and clean, however the cars themselves did not seem as polished with some looking a bit boxy. In DMC2 you have access to 13 different cars that you can customize and upgrade as well as 13 drift circuits to race upon. If you ever complained about not having enough knowledge on a game before playing it you won’t be disappointed with the lengthy tutorial that comes with this game. However, even with all the practice and upgrades you can take advantage of when to comes to gameplay it seem incredibly hard to make the turns be it using the phone to tilt or the on screen steering wheel.
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As for the gameplay itself, things are both straightforward and innovative. You get to control a variety of subtly yet brilliantly animated rectangles, each with its own unique personality, set of abilities, shape and colour, and guide them through an excellently designed set of levels that will mainly tax your brain, but also -a bit- your reflexes. What’s really lovely is just how well each rectangle’s defining ability is tied to its character; what’s downright impressive though is that said rectangles are so much more interesting than your average multi-polygonal mainstream hero. They have a soul and that’s coming from a person who simply doesn’t believe such things exist.
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For the few of you who haven’t played Battlezone, it’s a 1st-person, vector tank-shooter set on the freaking moon, of all places. Although gravity doesn’t come into play anywhere in the game, so they could have just set it on Earth. But, two aspects of the game probably will explain why they did it this way; One, the background is constant black, giving it a “30 Days of Night” feel to keep you on edge, but I’m sure the reason for this was for the bright green vector lines would show better. Two, they decided to throw flying saucers and tank-sized guided-missiles at you as an extra slice of variety of just shooting other tanks. Anyway, it works well and I now wouldn’t want it any other way. The HUD is all in red, which has your score, number of tanks left, and most importantly, a radar showing you exactly where the next tank is. When it appears directly behind you
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These are basically boss fights but feature a floating, four-armed head! You control a hand that can move around the edge of the screen and fire magic stars, and this you must do until the strange creature is no more. Victory means you’ve won the territory and then it’s on to the next. The temple stages are the same as mind duels and there are also plagues, crusades, and rebellions to contend with. These occur at random intervals and make the going even tougher, particularly the latter which costs you a previously won territory. During the battle sections, it’s also important not to let too many enemies past you unscathed as if enough of them make it, they can grab your banner too!
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Regardless of what party you are part of or who you are voting for a good dance video is a good dance video. Nathan Barnatt is an awesome dance no matter what mask he is wearing so enjoy this video.
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The visuals may actually be the high point of the game. The backgrounds are colorful, the animations are smooth, there are few clipping/slowdown issues, certain background elements are animated, the characters look distinctive, and many sprites are handled at once. A couple highlights are the lighting effects under the streetlights in the first level, and the tomato-throwing effects during the opening and the credits. However, there are a couple flaws, such as the infamous switch that must be activated in one level, which reverses the gravity; while the gravity-reversing feat is always great fun on the NES when it is found, the switch very much just looks like a background element and can be easily missed.
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Capcom has always been known for having such great soundtracks in their games and this one is like the others. The music is memorable and has its classic Capcom bits all over it. You’ll enjoy this soundtrack as much as the previous X games. The graphics are a little disappointing as they look exactly like the first X game graphics! Even with the help of the FX chip, this game wasn’t able to showcase much better graphical interface. I’m not saying I’m disappointed as Capcom and Mega Man games have always had that similarities on their sequels which is that they don’t change much over their releases. The gameplay is king of these series anyways.
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In Naughty Bear you have an entire island to explore and cause mayhem on. The island itself is divided into four parts with some sections and areas needing to be unlocked. There are a total of 28 levels on the island and tons of different objects to use and obstacles to overcome. Your job is not only to get revenge on the bears who tormented you, but also to avoid the law abiding bears who will try and stop your mischievous ways.
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Part of the reason for this it that the aliens are defeated by a single shot from whichever gun you’re carrying at the time (even the one you start with) but it also helps that their movement doesn’t seem to conform to any repeating patterns. Their appearances are apparently random and their movement is seemingly dependent on your own, so your progress is pretty much just down to your own ability. Accompanying you on your refreshingly-unfrustrating mission are some tunes and sound effects which aren’t too bad, although not especially memorable, but about the only thing I don’t really like about Alien Syndrome is its graphics.
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Whenever you shoot something, which is constantly, your enemy explodes in a beautiful shower of fireballs. The problem……..it’s so huge and bright, you’re constantly being cheap-killed by a stray bullet!!! The normal dexterity needed to play these games are normally reserved for AD&D 2nd Edition Thieves (Yep, I’m old). I get that. But, when you can’t see what you’re trying to dodge, it just takes all the fun out it. I’m not freaking Daredevil! (2nd nerd drop..I’m done)
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Now yes, it might be easy to love strippers simply because they're eye candy but do they still do the job for you when you know they're smiling at you, taking your money just so they can go buy baby formula? ;-] Hey, don't hate, it could be worse… it could be Nicki Minaj!
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The gameplay is even better than the one before. When you pick a turtle, they will have their own unique skill. You have to use their skills accordingly in order to get through the levels with ease. Of course, I do stick with Raphael’s special move for boss fights. You might wanna do the same :p Furthermore, the difficulty makes it a challenge but not so much of it to make you throw the controller across the room. Beating the hordes of Foot Soldiers has never felt so enjoyable though. Play with a friend for a true radical experience, that’s for sure!
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