WET is a unique-looking game with a lot of fun features. What it lacks in depth, it makes up for with a Kill Billesque storyline and visual styling, and ridiculous gunplay that is over the top and absurdly fun. Unfortunately, WET isn’t a perfect game because it lacks creative depth and can feel repetitive, but it is definitely a fun shooter if you’re just looking to kill a couple of hours. ~Geoff Calver
WET tells the story of female assassin Rubi Malone. Rubi carries a pair of revolvers and a sword, and she dispatches her foes with style. The game obviously focuses on having fun while completing your mission. Rubi is beautiful and athletic. She is able to run along walls, jump high over obstacles, and slide for ungodly lengths of time along the floor, all while shooting not just at one enemy, but at two. The game encourages you to run along a wall and then jump into mid-air and slide along the floor while killing enemies left and right. As you perform such combinations, you have points rack up. The more points you gain putting together awesome acrobatics and the more enemies you kill while performing the acrobatics, the faster your health will replenish and the more points you’ll have to spend towards upgrading Rubi’s weapons at the end of each mission.
WET tells an interesting, if a bit convoluted story. The game begins with Rubi watching a suitcase being handed between two men in an ornate room in Chinatown. The suitcase is her target – she needs to retrieve it – and she crashes through the glass ceiling and begins shooting up the place. This leads to a chase where she follows Simmons, the man carrying the suitcase. It turns out the suitcase holds a heart, which a man named Ackers has hired Rubi to retrieve so that he may have heart surgery. He rewards her well and comes back a year later asking if she can go to Hong Kong and find their heir to his crime fortune, Trevor. From there, Rubi travels around the globe through a twisted plot of backstabbing, lies, and falsehoods. She gets beat up a few times, engages herself in high-speed chases, and in the end, prevails.
The story of WET is fun in that it is over the top, just like the gameplay. The twists and turns are at times so ridiculous that you feel you are watching a ‘70s B grade action film. And that’s the point. WET is fashioned to look and feel like a Kill Bill or even more aptly, Grindhouse style of film. It is over the top, action-packed, and features a grainy visual style meant to replicate cheap 70s Technicolor film.
Unfortunately, though the upgrades to Rubi’s weapons are decent (she can eventually gain access to shotguns, SMGs, and crossbows); they don’t change the gameplay dynamic much. The novelty of putting together acrobatic kill combos begins to get stale when you realize that the AI isn’t very intelligent and are mostly just cannon fodder. The difficulty in playing through WET is fighting off huge numbers of enemies rather than thinking about how to do so.
The graphical style of WET is completely unique to recent video games. The only other game I can really think of that reminds me of WET in terms of atmosphere, film influence, and graphical styling is the old driving combat game Interstate ’76, where bellbottomed 70s hipsters drove around vehicles outfitted with guns. It, too, was over the top in its action and in its depiction of its heroes, and it screamed of 70s B-movie styling.
WET makes great use of its graphical deficiencies. The graphics engine behind WET isn’t all that great. The character models look decent but not special, the locales are colorful and varied, but the amount of detail on the buildings, vehicles, and in everything else around you isn’t anywhere near that of many newer titles. What is impressive is how the team working on WET managed to work around the weakness of their graphics engine. The 70s B-movie looks manage to make it okay that the graphics aren’t like Gears of War or Metal Gear Solid 4. The screen has little dots all over it like grainy film, and occasionally a bar will move through the screen like a slide in a film that suddenly shows itself. If you’ve ever see a Quentin Tarantino film, you know what the visual style of WET is. And it’s really unique and fun.
The sound in WET is a mixed bag. The music is fantastic. It features a great score, and beyond that, there is a ton of original music made specifically for the game by artists ranging from Gypsy Pistoleros to The Chop Tops. It is excellent music that is loud, vicious, and fits right in with the game style.
The voice acting ranges from good to great. Rubi’s voicework is fantastic. Voiced by Hollywood actress Eliza Dushku (who is the lead character, Echo, in Fox’s Dollhouse) she sounds great and her voice really gives life to her over the top female assassin character.
The Final Word
WET is a fun, action-packed game that takes lots of inspiration from 70s B-grade action movies and Quentin Tarantino’s work. It isn’t going to keep you up at night wondering about where the plot will go next, and it isn’t going to be on any “game of the year” lists, but it certainly is a fun title that is over the top and features great styling, music, and an innovative approach to how you go about taking out enemies.
+ Great atmosphere that evokes Kill Bill, Grindhouse, and cheap 70s action films
+ Fun gunplay
+ Easy to pick up and play for just a few minutes
+ Excellent music
– The storyline is a bit convoluted and doesn’t really draw you in
– The graphics are dated
– The AI is about as smart as my fish