The graphics are quite good for a Master System game. Sonic looks like Sonic and not like a blob. The backgrounds and graphics of the stages are a hit. You never feel like you’ll jump into a fake wall or something. There isn’t that much distortion if there are too many things going on in the game so that’s a well deserved thumbs up.
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Actually, now that I think about it, I can’t even be sure that we’re playing the game as Buck! Oh well, whoever may be at the controls, it’s your job to guide their ship through a tonne of dangerous stuff, and the best means of doing this is by blasting the crap out of it all. To this end, the ship offers unlimited use of its cannon, and you can also move it around the screen freely and increase or decrease its speed as you see fit. Each round is divided into eight stages (or sectors) of which there are three types – trench (as seen in the screenshot to the right), open space (next shot down), and planet (bottom shot) – but the object of each is the same; namely, to either fulfill an enemy quota or to finish within the time limit.
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Enemy strikes deplete Riki’s health-bar but this can be replenished by performing a high-jump (jump while squatting) to grab the icons that occasionally float along the top of the screen. As well as several types of food to refill your energy, there’s also a temporary shield, but they’re tricky to grab without taking any damage as the buffoons running backwards and forwards along the single-plane landscapes are infinite and quite quick too. They’re also pretty small, as is Riki himself. The level of detail isn’t too impressive on most sprites either but the mid and end-of-stage bosses are quite varied and a bit more detailed too.
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Classic gaming is alive and well at E3 2013. For the last few E3’s there has been a great section reserved for retro gaming. Each year it has grown and this year it was better than ever!
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The weird faces the humans pull when you blast them with lead are amusing though. (the robot’s death animations are boring in comparison). It’s almost like the designers wanted you to shoot the wrong targets… You’re then given a ranking for how well you did (I performed badly, predictably), and whisked into the first stage proper. Things get ugly quickly. Enemies fly around in the air, and a robot (which the game has taught me is certainly an enemy) walks along the bottom. All of them are rather uninspired and blandly designed. I shoot away at them, and their death explosions are as equally dour.
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Unfortunately, this is where the problems start, at least as far as I’m concerned. The single player Challenge mode features a series of twenty four races which includes several courses based on each house location with corresponding vehicle type used. Races are against three CPU vehicles with very simple rules – complete the required number of laps and finish in the highest position possible. If you finish in the top two, you can move on to the next race. If not, you’ll lose a life. All the other play modes feature one-on-one races, whether that’s human vs the computer or another human.
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There are six types of enemy altogether – Grunts, Ghosts, Demons, Sorcerers, Lobbers, and Death. All of them except Death are created endlessly by generators placed all around the maze-like stages which have three strength levels with each monster they create being of the same level. The generators can be destroyed in the same way as the monsters they produce – either by shooting or fighting them one at a time or by collecting potions and using magic which clears some or most enemies on screen in one go.
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The four stages take place on a subway platform, a harbour, an alley, and the gang’s hideout, and each is home to unique enemies. The amount of energy their attacks cost you is dependent on what they attack you with. Some have only their fists but others are armed or even riding motorbikes. Thugs wielding knives or guns can even kill you outright with one hit, and this makes an already rock-hard game harder then ten adamantium-coated diamonds! You only get one life, you see, and unusually for an arcade game you don’t even have the option of adding coins to continue.
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Part of the reason for this it that the aliens are defeated by a single shot from whichever gun you’re carrying at the time (even the one you start with) but it also helps that their movement doesn’t seem to conform to any repeating patterns. Their appearances are apparently random and their movement is seemingly dependent on your own, so your progress is pretty much just down to your own ability. Accompanying you on your refreshingly-unfrustrating mission are some tunes and sound effects which aren’t too bad, although not especially memorable, but about the only thing I don’t really like about Alien Syndrome is its graphics.
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The biggest difference between this and the first Fantasy Zone game is that each round is now divided into several different areas. Destroying enemies still releases coins (and notes now, too) of varying value but some Menon bases leave behind a blue warp instead. These allow you to travel back and forth between the areas, each of which generally contains four or five bases. There is also one base that will leave behind a red warp when destroyed. This leads to the boss but you can’t enter it until all the bases are destroyed.
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My trusty Master System would go on to keep me entertained for many years. It even persuaded my best friend, Luke, to buy one of his own, and he was lucky enough to get a proper Super System! Before long we were spending a lot of our time at each others houses, challenging each other at our favourite games, with both of us becoming firm Sega fanboys in the process, an allegiance which it took the SNES to break, and even then our hearts always remained in the Sega camp. Luke and I both have our favourites on Sega’s first console offering (outside Japan), but after my visit to the late, great Microland with my parents, I came away with the following games…
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Given the popularity of the Transformers at the time this was released, it’s not hard to see where the inspiration for the main character came from, but I’m not really sure it works too well. It’s at best an under-used gimmick here, but does that make this a bad game? Well, back when my trusty Master System was my main console of choice and its games were freely available in high-street stores, I always steered clear of this game. Every magazine review I saw of the game slated it, despite its cheaper price point. If it was that bad then, it must be terrible now, right? Well, no actually. Being both a budget game as well as an early release for the Master System, TransBot is understandably basic, in concept as well as aesthetics, but it’s actually not at all bad, and certainly not as bad as I’ve believed all these years!
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I can still remember buying this game second-hand in my local game/music store. I had little knowledge of it and, thanks to my prior Sega allegiance, I had never played the earlier Metroid games, but I had heard that it was supposedly something special. I really didn’t know what to expect so, upon playing it for the first time, proceeded with caution. What followed was one of greatest awakenings of my gaming life! I was initially wondering what was going on (no one reads instruction books unless they get stuck!) but was quickly immersed in the atmospheric, haunting world of Brinstar and all the other amazingly designed areas of Super Metroid’s world.
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Collecting these items isn’t mandatory but it can be very useful. Gathering magic fruits will fill the magic-meter which, when full, makes that fruit available to mix magic spells with in Home Land. Each clock collected will add five seconds to you timer for the next stage / land, and stars can be spent on fruits, more clocks, and even extra lives in the shop, but only once you’ve worked out the magic spell to summon it! There are eight standard lands to play through (as well as one secret final land which you must earn the right to play) and they are all multi-tiered and based on some pretty standard themes such as Grass Land, Snow Land, Desert Land, Dead Land, etc. Each is also looped and the stages contained therein are timed, with the amount of time you start with being determined by which of the three skill settings you choose before play.
Read MoreShoot ’em ups have long been one of my favourite genres and one that I probably own most examples of. The fact that my recent ‘Top Five MegaDrive Shmups’ post has been my most popular yet indicates I’m not alone! I also seem to have sparked a craze for compiling shmup lists, with all and sundry now apparently listing their own favourites, including my friend Graeme (Jdanddiet) here! So, continuing the theme, I thought I’d return to my first console, and here’s my choices:
Read MoreOne of this game’s many memorable points is that it jointly holds the record with its own sequel as one of the most fruit laden game ever (this is a good thing)! Items are spilled on a platform somewhere in the level every time an enemy is vanquished and other items appear seemingly out of nowhere now and then. There is an enormous amount of them to be found, some of which are very useful, particularly the umbrella which skips several levels, and there are power-ups and various kinds of screen-clearing smart bombs too.
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Possibly the most horririfying thing about this game is the ‘music’. Examples featured herein range from poor right down to ghastly I’m afraid. Some of it can barely be considered music! The only reprieve is on level two which features a fairly reasonable tune, although it is looped and frequently repeated. Sound effects aren’t much better either. I don’t usually like to criticise someone’s hard work too much unless it’s obvious that they’ve put in no effort, but this one will have you reaching for the volume button pretty quickly.
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