Basically, Kinky Island will be a game created with the ever-handy and very freeware AGS development tool. It will most obviously be a pretty naughty offering too (rumors speak of -wait for it- full frontal nudity), sporting quite a bit of humor, lovely pixel-art graphics, traditional gameplay, over 30 locations, 20 fully animated characters and some hopefully interesting puzzles.
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Killing zombies is part of a gamer’s daily routine, which is all fine and apparently dandy, but I simply can’t stomach another undead infested FPS. Bombing thousands of undead along with some unfortunate not-quite-dead-yet citizens, on the other hand, is another matter entirely and as Atom Zombie Smasher emphatically showed me, a most refreshing and enjoyable, if not downright noble, pass-time. Oh, and it’s a novel way to battle stuff too, though you probably know all about it already, what with Atom Zombie Smasher being a part of the biggest and least humble of Humble Indie Bundles so far.
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Having obsessively researched the wild and wonderful world of indie gaming, Bundle In A Box returns and is proud to present the Eclectic Delights bundle. It’s a fine assortment of 9 delightful, quite frankly excellent and truly indie offerings everyone can enjoy for the most reasonable price of “pay-what-you-want”!
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Here’s something to look out for…. Super Bat Puncher. Created by Julius Riecke. Currently still in the works but has a lot completed so far. Punching bats has never been so much fun until now. I asked Julius if he plans on having cartridges of this game made and he stated that yes they will be made. There are a few demo carts out there right now. More later in time.
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Here’s a little indie gaming treat for cheapass gamers like myself: Martian Marine Lander. The premise is simple: guide your Martian spacecraft full of Martian Marines down to Earth so that the invasion can begin. Of course, Earth has defense forces, and they’re keenly interested in turning your craft into space dust, so the lander needs to be protected by dexterously angling your force fields to absorb damage while floating down to the surface. It’s harder than it sounds, as inertia tends to keep your craft rolling in the wrong direction just when you need the shields to be facing elsewhere! And don’t think you can just plummet down at a breakneck pace to avoid all the weaponry altogether: making a run for it causes the Lander to explode into so many little pieces from the stress.
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I am, after all, most impressed with what Fate of the World actually achieves. It’s an astoundingly simple to play strategy game that manages to be both deep and educational. Let me give you an example of play: you have to make sure that the living standards of Africa rise, while its carbon emissions fall; you thus buy agents for northern and southern Africa (each agent allows one card to be played in the region he/she is stationed); you buy and play an equal number of cards to your agents (cards are usually certain policies); you click the end turn button and hope for the best. Sadly Africa gets destroyed. Well, the first few times you tackle its problems at least.
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The levels themselves have had about as much detail packed into them as you would think possible without distracting from the actual gameplay. Each world has a great style and, while some are more colourful than others, all are superbly detailed and full of character. There’s also a lot of nice touches like the pink slimy curses, watching a Magna Orb smash through tons of bricks, or even the old codger himself, Cyrus, who makes a few appearances. All the sprites are detailed and appealing (even the enemies) but Cyrus is my favourite! The audio is also superb with lots of nice effects and some great music. Each world has its own tune (Slime World has the best in my opinion) and there are a few others for the title screen, bonus rounds, boss fights, etc.
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Though pretty short (stopping the zombie apocalypse shouldn’t take more than 5 hours), Metal Dead stays refreshingly silly and engaging throughout and never outstays its welcome, while constantly offering a response for absolutely anything you might think of doing and, of course, something surreal to do. You’ll be talking with the severed zombified head of your best mate (an ingenious hint system), killing zombies, saving doctors, unlocking hilarious achievements and murdering mutated cannabis plants, all the while combining items, engaging in brilliant dialogues and even guessing passwords.
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As for the gameplay itself, things are both straightforward and innovative. You get to control a variety of subtly yet brilliantly animated rectangles, each with its own unique personality, set of abilities, shape and colour, and guide them through an excellently designed set of levels that will mainly tax your brain, but also -a bit- your reflexes. What’s really lovely is just how well each rectangle’s defining ability is tied to its character; what’s downright impressive though is that said rectangles are so much more interesting than your average multi-polygonal mainstream hero. They have a soul and that’s coming from a person who simply doesn’t believe such things exist.
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In space no one can hear you bundle. In Deep Space, on the other hand, you can definitely enjoy eight excellent indie games for a pay-what-you-want price as the second bundle by Kyttaro Games , Bundle In A Box: Deep Space, was released today. It’s the only thematic bundle around, will last for 14 days and offer all games as DRM-free downloads (but not exclusively so; most games are also available on Desura and/or Steam ). Bundle In A Box is a thematic pay-what-you-want gaming bundle, that helps new games debut, supports charity and directly strengthens creators via the Indie Dev Grant. As more people buy it the minimum price drops and extras get unlocked.
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In its first day Greenlight, the cunning Steam scheme that lets mainstream gamers vote on indie games and saves Valve the trouble of promoting its service, has gathered over 500 submissions. It is of course quite the mess, though a mess that will ensure that only well-known games with built-in communities make it to Steam, thus bringing Valve even more money. Hoorah! Or, well, not. Anyway. I too did spend a few hours navigating the Greenlight entries and here are the 10 games I would like to see make it on the service. They are of course games I was already aware of, but that’s how things work, isn’t it?
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Being a sequel of sorts to 2004 indie darling Da New Guys, Day of the Jackass is a traditional point-and-click adventure sporting some decidedly non-traditional protagonists and a delightfully dry sense of humour. It plays with its plot, distorts its setting and actually comes up with an enjoyable story that serves its gameplay well. Brain, you see, the worst and most irritating brawler in wrestling has won the title belt and gotten himself promptly kidnapped. It is thus up to his mates, tough-guy Simon and soft-spoken Defender, to rescue him.
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Having played with Waves for over 30 hours (quite an achievement for a game without a single line of plot) I have come to deeply appreciate what Squid in a Box and the ever talented Rob Fearon have managed to pull off. Waves is a beautiful and expertly designed game, sporting excellent controls, intricate yet easy to grasp scoring mechanics, psychedelic graphics, smart smart-bombs, a ton of impressively varied game modes, a brilliant soundtrack and some lovely touches of anarchic humour. It’s even got achievements that will force you to play it in truly imaginative ways.
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J.U.L.I.A. is a science-fiction game, casting you as Rachel Mannors, the sole survivor of a space expedition gone spectacularly wrong. Rachel, an awkwardly 3D modeled yet decently voiced character, is woken up from cryo-sleep by J.U.L.I.A., the spaceship’s AI, only to discover she’s all alone in a malfunctioning ship light-years away from Earth and apparently stranded in a solar system with dully named planets. What’s more, something has gone spectacularly wrong on said planets. Something that eventually led to the death of the rest of the crew and the endangerment of alien life.
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Not all is perfect though. Especially as things get more hectic the controls can feel a tad unresponsive. Oh, and despite the variety on offer and even them hidden levels, said things can actually get repetitive, especially when you are frantically trying to play through the game for a review… Then again, and in what can only be considered a showcase of spontaneous dialects, it remains both fun and addictive; a bit like Tetris actually. What’s more, Waveform is indeed something one has to definitely try in order to experience an oddly relaxing yet essentially arcade game.
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Spelunky is also an incredible challenge, yet somehow contains enough balance to remain charming. Personally, I am reminded of the very balance that hooked me on games like Lode Runner in the 1980s and the original Prince of Persia in the 1990s. Spelunky joins those titles on a short list of platformer games that have driven me just insane enough to demand that I have to try again, knowing that I’ll do better on my next go-around, only to dodge my previous mistake in favor of making a new one. Passing a level is extremely satisfying, even if you didn’t get any further than you have before by doing so.
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You get your characters, your action points, your experience points, your oppressive 3D terrains, your campy but delightful plot, your spells, your otherworldly monstrosities, your cultists and your zombified soldiers in one of the most honest (and cheap) strategy games I’ve recently played. What you also get is a truly elegant adaptation of Chaosium’s Call of Cthulhu rules, the first ever sanity mechanics to actually work in a wargame and a most successful atmosphere. On the downside, this is a really short game sporting ten or so missions, that will last you for roughly ten hours, and, irritatingly, a game with a few control problems. Apparently, its iOS roots haven’t been ironed out, but trust me when I say that you’ll very soon be used to its, uhm, eccentricities.
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