Bubble Bobble

Bubble Bobble - Arcade Gameplay Screenshot 1

Bubble Bobble (1986)
By: Taito Genre: Platform Players: 1-2 Difficulty: Medium-Hard
Featured Version: Arcade First Day Score: 180,180
Also Available For: Master System, Game Gear, Saturn, PlayStation, X68000, NES, GameBoy Color, GameBoy Advance, Nintendo DS, FM Towns Marty, Amiga, Atari ST, Commodore 64, Amstrad CPC, ZX Spectrum, Apple II, MSX, PC

What more can be said about this all-time great? Whilst perhaps not as well known as Mario or Sonic, the cute dinosaurs of Bubble Bobble are just as iconic to many gamers, myself included, and have now appeared in a lot of games on nearly every system ever created, in one guise or another. My first encounter with the bubble-blowing twins was in ‘Kwiki Meals’, the cafe near my college. It was here that I ventured every lunchtime to play Bubble Bobble (and eat a burger), and I was often late back to class! It was the game that first brought the great Taito to my attention and they’ve been one of my favourite companies since. Sadly, both Kwiki Meals and the arcade masterpiece it once housed are now long gone but I’ve had a regular fix of Bubble Bobble ever since.

Bubble Bobble - Arcade Gameplay Screenshot 2

Most of you will know the drill by now – Bub and Bob have been turned into dragons by the evil Super Drunk who has also kidnapped their girlfriends! In order to get them back and be restored to Human form, they must battle their way through a hundred rounds of multi-platformed, monster-infested caves until they can face, and hopefully defeat, Super Drunk. Bub and Bob, who start each round in the bottom left and bottom right corners of the screen respectively, must clear each single-screen round of baddies in order to proceed to the next. To do this you must trap them in bubbles which both Bub and Bob can blow at will. The bubbles fly forward quickly, before floating up the screen being carried by the air currents in the caverns. Freshly-blown bubbles are surrounded by a shiny orange aura until they are a certain distance away and it is only during this brief period that enemies can be trapped in them.

Bubble Bobble - Arcade Gameplay Screenshot 3

Once an enemy is trapped in a bubble, it must be popped quickly to kill it, either by touching it with the spines on Bub and Bob’s head and back, by jumping on it, or by pushing it into a wall. If you fail to pop it quickly enough, it will pop by itself, and the re-released enemy will be angry and much faster. It’s also possible to bounce off bubbles instead of popping them when you jump on one or fall on one from above. This is an essential skill to learn as sometimes it’s the only way to escape from part of a level or reach some high platforms. Bubbles also stick together if they touch each other, whether they contain enemies or not, so if you time it right you can cause a mega-pon chain reaction meaning mega-points! There are eight different types of standard enemy altogether and each has his own movement patern. Learning these are obviously the key to success here, but don’t take too long – if you stay on one stage too long, the undefeatable Baron Von Blubba will appear and stalk you until there’s nowhere left to hide!

Bubble Bobble - Arcade Gameplay Screenshot 4

One of this game’s many memorable points is that it jointly holds the record with its own sequel as one of the most fruit laden game ever (this is a good thing)! Items are spilled on a platform somewhere in the level every time an enemy is vanquished and other items appear seemingly out of nowhere now and then. There is an enormous amount of them to be found, some of which are very useful, particularly the umbrella which skips several levels, and there are power-ups and various kinds of screen-clearing smart bombs too. Some other items are even available in different colours, varying their effect. Also appearing liberally are lots of different fruits, gems and foods which can be seized for bonus points. Additional bubbles sometimes get ‘blown’ onto the screen by the air currents running through the caverns, and included amongst these are ‘special’ bubbles which, when popped, unleash special powers. These include fire bubbles, which spill fire which scorches enemy’s, lightning bubbles which sends a enemy-killing lightning bolt across the screen, and water bubbles, which send a torrent of water cascading down the platforms killing all enemies in its path. The last kind of bubbles to be found contain letters. Collecting them will gradually spell out E-X-T-E-N-D down the side of the screen. Complete the word to clear the round and get an extra life!

There are many more little intricacies and nuances to this game and to be honest, I could go on all day about them, but discovering them for yourself is one of the things that makes Bubble Bobble as great as it is. Despite initially seeming random, almost everything you do has some sort of affect on the game, from how quickly you finish a round right down to a particular digit of your score when you reach a certain point. Many games have been called classics over the years. Whether they truly are or not depends on your definition of the term I suppose, but few are as genuinely timeless as Bubble Bobble.

The cute, colourful graphics which are full of character, that music by Zuntata which could just be the catchiest tune of all-time, the flawlessly structured gameplay, the fiendish stage design, the fantastic fun of jumping around the platforms trying to time an attack to perfection, playing the game with a friend, it goes on and on. It’s regularly sited as one of the greatest games of all-time, and it’s hard to argue. Bubble Bobble isn’t just a single screen platform game, for many it’s the single screen platform game! It’s certainly true that it’s among the most enduring platform games of all-time and that kind of lasting adulation can only be for one reason…

RKS Score: 10/10

Chase HQ review

Chase HQ Title screen

Chase HQ (1988)
By: Taito Genre: Racing Players: 1 Difficulty: Easy-Medium
Featured Version: Arcade First Day Score: 4,723,860 (one credit)
Also Available For: PC Engine, X68000, Master System, Game Gear, NES, Game Boy, Amiga, Atari ST, MSX, Commodore 64, Amstrad CPC, ZX Spectrum
Download For: Wii Virtual Console

Before the days of polygons, it was pretty rare to find a decent driving game. Even in the arcades they were pretty rare. If you asked any gamers around my age to name their favourite, most would probably say OutRun, and with good reason – it was a revolutionary game that made a huge impact. There was a few other good examples from around that time as well though, and one was Chase HQ. This effort from the awesome Taito was clearly influenced by OutRun – what else wasn’t in the years after its release? – but it’s not just a shameless rip-off, no sir. Whilst the basic gameplay has shades of Sega’s classic, Taito also injected it with themes taken from some of the American buddy cop movies and TV shows which were so popular at the time. It sure sounds like a perfect combination but how does it stand up today?

Chase HQ screenshot

Taking on the role of police detective, Tony Gibson, it’s your job to pursue one dangerous criminal on each of the game’s five stages. They have all commandeered some sort of powerful sports car and are fleeing out of the unnamed city (which is probably LA), They have got a head-start too so you, along with your partner, Raymond Broady, need to move quickly to make up the lost ground. After a briefing from the lovely Nancy back at ‘Chase Headquarters’ you’ll get sixty seconds to catch up with each felon in your black Porsche 928 Turbo. Once you’ve reached him, you’ll get another sixty to smash his car up until they stop (they’re all men – women don’t commit crimes, remember)! Your ride is equipped with three helpful turbo boosts per stage/credit which can either be used to catch up with the ‘con’ quicker, or to smash into him more aggressively once you already have.

Chase HQ screenshot

You’re probably thinking that it sounds like a lot of fun, but you may also have thought that it sounds rather short. Well, you’d be right on both counts, but the latter point is pretty much the only bad thing about the game. Rather than attempting to craft a longer lasting, more subtle kind of driving game, Taito have instead gone for an intense ten minute blast of a game. It’s not particularly difficult either but some replay value is added by the accumulative bonus you receive for passing each of the many civilian cars the roads are filled with without hitting them. Technically the game is a noticeable step up from OutRun too. The sprites are probably a little better and more varied and the game plays a bit faster, but the biggest improvement is in the stages themselves.

Chase HQ screenshot

Rather than sticking to one backdrop each, the backgrounds and scenery here change numerous times per stage and are pretty varied too. The courses are also much less flat than OutRun’s and each features a fork mid-way through with one route being longer than the other. The audio is also pretty half-decent. The music, whilst perfectable fine, could never hope to best Hiroshi Miyauchi’s immortal tunes, and the effects are okay too, but Chase HQ’s most noticeable addition is the speech. Your partner is pretty vocal throughout the game, willing you to drive faster and getting excited once battle commences, and good old Nancy has a fair bit to say for herself, both during the briefings and over the police radio during the game too.

Chase HQ screenshot

Such is the glorification of crime and violence these days, I’m confident that if this game was released today you would play the role of the criminal, most likely with the object not only to escape from the pursuing police officers but to kill them too, and bonus points scored for killing civilians too, or some such nonsense. As it is though, this is very much a ‘good guys sim’ and remains one of the most memorable cop games released. The combination of OutRun and cop film was a superb idea for a game and makes this play very differently to the former. It also creates a fantastic atmosphere and makes it a different enough game to stand proudly next to OutRun instead of in its shadow. It won’t take you long to see all Chase HQ has to offer but it’s such a fast, exciting rush of a game, you’ll be back time and time again. A genuine classic.

RKS Score: 9/10

Ghouls N Ghosts

Ghouls N Ghosts splash screen
Ghouls N Ghosts splash screen

Ah, the game that made me break one of my many Sega Genesis’s. Ghouls ‘n Ghosts was released to the arcades in the spring of 1988. Maybe by Capcom, it was the popular sequel to the 1985 arcade smash Ghosts ‘n Goblins.

In Ghouls ‘n Ghosts the heroic knight Arthur must once again faceoff against the demonic hordes of Loki. After an attack on his kingdom Arthur’s lover, the lovely Princess Prin Prin, is killed along with many innocent civilians. To avenge the death of his love and restore her soul and the souls of the others Arthur will have to take down the big man Loki himself.

Ghouls ‘n Ghosts plays pretty much like Ghosts ‘n Goblins it is a platform run and gun type of gameplay meaning you have to always be on your toes firing away at the enemy and  avoiding traps and pitfalls. Luckily this time around Arthur can fire upwards and while jumping fire downwards which is a must in this game. In addition Arthur has an array of weapons at his disposal including a mega axe, a golden sword and even golden power armor.

Ghouls N Ghosts screenshot
Ghouls N Ghosts screenshot

When Arthur jumps in certain spots on the map a treasure chest will pop out of the ground. If Arthur destroys the chest he can find two things. First is an evil magician who turns him into a duck. As the duckyou are pretty much undead chow because you have no armor or weapons. The best thing to do is avoid any enemies until the effect wears off.

The second thing that can appear from the chest is Arthur’s golden armor. The golden armor allows any weapon Arthur currently has to gain a charged power up move that unleashes a special attack. Sadly, the golden armor works just like the normal silver armor where as if Arthur is hit it will break apart leaving him pretty much naked.

Once you work your way through five levels you discover you need a special weapon in order to defeat Loki. This restarts the game and you must fight your way through the same five levels and back to Loki’s chamber.

The game is extremely fun to play, but it can be very unforgiving at first, but once you learn your jumps, attacks and timing you can make it through the game without too much trouble. I can say this now, but when I first played it I had an awfully hard time and ended up punching my poor Genesis to death.

Ghouls ‘n Ghosts had some great music composed by Tamayo Kawamoto. The bosses were well designed along with the levels making sure your twitch level was high. In addition to great arcade success GnG was ported to several systems including the Amiga, Amstrad CPC, Atari ST, CP System, Commodore 64, X68000, Sega Saturn, PlayStation, SuperGrafx, Sega Master System, Mega Drive/Genesis, Virtual Console, ZX Spectrum.