Editorials

Sonic the Hedgehog 4: Episode 1: A Mediocre Adventure Begins!

Sonic the Hedgehog 4 Episode 1 title
Sonic the Hedgehog 4 Episode 1 title

It has been sixteen dark years since the last true Sonic game made its debut. Sega ventured on towards 3D adventures with their signature Blue Flash and since then the fandom that followed Sonic slowly converted to Mario or lost interest in the platform genre as a whole. The masses cried out, their faces stained in the salt of dry tears for Sega to remember the past, remember their roots! After witnessing the success of Megaman 9 and 10, Sega’s minds opened up to hope and the prayers of their fans finally fell upon eager ears. Sonic the Hedgehog 4, the continuation of the main 2D adventure line was to be restored! Thousands upon thousands of loyalist creamed their pants at the mere thought of Sonic returning to his true form. Surely, Sega would remember what made Sonic great.

Unfortunately, they didn’t. The return of Sonic is anything but a sequel to Sonic and Knuckles. The developers of Sonic 4 didn’t seem to know what made Sonic 1, 2, 3, and Knuckles stand on their own as epic platforming adventures. All that they remembered was the formula of level design and loops. The game plays like a mix mashed combination of both Sonic 1 and 2.

The first thing I noticed about this game that bothered instantly once I noticed it, was Sonic’s amazing brakes. I remember in the old games that Sonic used to come to a skidding stop. In this iteration of our hero, he just stops. If you want Sonic to stop where you want, he will. Sometimes midair I could just stop moving forward during an initial jump and slide down an invisible wall when all I wanted to do was reduce my jumping speed. The biggest most daunting issue I had with this was when I’d complete a zone with 50 gold rings and attempted to jump into the bonus stage golden ring at the sign post. Most of the time, I’d run right past it and think “Crap!” and try to run back in time as Sonic zooms off screen. As I made the jump toward the ring, autopilot would kick in and Sonic would just collapse like a ragdoll to the ground in front of it and walk away off screen again.

Orbinaut – Sonic the Hedgehog
Orbinaut – Sonic the Hedgehog

Our hero also seems to enjoy walking like a robot because his running animation from start to finish is one of the least inspiring displays of speed picking up I’ve ever witnessed in a game before. His legs stiff up like Al Gore as he slowly walks forward. I seemed to be in top speed during this ridiculous take off as Sonic trudged off with an ungraceful motion due to his lack of kneecaps. Suddenly, his legs would turn into red blurs as he ran at what was supposed to depict top speeds. Regrettably, the robotic movement lacking any fluid shift was already top speed so this animation lacked any real dramatic achievement.

An inclusion to the core game play is a homing missile aerial dash which was introduced in Sonic Adventures. While this attack was a welcome addition to the 3D adventure, its transition to 2D is rather obnoxious. The difficulty of calculated attacks and hitting small openings on enemies vanishes with this ability and takes away from the nostalgia of Sonic. Many menacing old school villains which took clean precision and timing to kill, such as Orbinaut, become trivial obstacles in Sonic’s path with the addition of the aerial assault.

Super Sonic by MRi
Super Sonic by MRi

The tracks in the zone Sonic robotically glides through are lacking any real enemies. Sure a villain shows up every now and then but they are easily bypassed with the homing attack. Most of the perils in the levels are spikes and pitfalls but the track you go by makes these traps seem more like scenery than anything else as most ramps toss you over spikes. Pitfalls can be easily avoided since the levels are set up in multiple tiers and you can go cascading through the air and end up landing on a lower section of the zone. When you do die though from pitfalls, it is a surprise as there are no real warning signs of its upcoming occurrence. 90% of the time you land on something when you fall. 10% of the time there just isn’t anything and the plummet is so stretched you don’t even realize it’s a pitfall until you hear the reminiscent Sonic fatality sound.

Super Sonic makes a return once you manage to collect all the Chaos Emerald in their tilt-a-whirl secret zones. I did mention earlier how the game is mostly comprised of traps, remember? Super Sonic doesn’t seem to really run faster than his blue form and there aren’t many enemies in the way to pummel through. What you end up having is useless invincibility that slowly eats away at your life force. I didn’t find any use for Super Sonic in this game at all since most deaths were instant kills anyway.

Another thing that peeved me about the game was the music. Sonic is known for its memorable songs. I can still remember a few and hum them every now and then when I sit on the toilet seat while reading a book. The musical director for this installment must have been Keyboard Cat as all of the songs use and abuse repetitive keys with a trumpet blaring every so often. I can’t recall a single song in my head right now despite how hard I may try.

The art style in the game lacks any inspiration at all. In fact, most of the zones are just rehashed models of zones from Sonic 1. The backgrounds in the game are bland and look like something found in a free game application on the Android Market. I was reminded of games with a smaller budget and less gameplay like Totemo as I ventured further through the game’s uninspiring scenery. Some of the cogs you were supposed to interact with in Dr.Robotnik’s Lair (Yeah, I said it. Eggman sounds stupid.) seemed to be part of the background because of their dull color and slow almost shuddering movement. There were times I’d be standing around a level wondering what I am supposed to be doing only to realize that the background was actually part of the foreground.

Robotnik – Sonic the Hedgehog
Robotnik – Sonic the Hedgehog

Speaking of the good doctor, he seems to have lost that knack for creativity we had come to know his boss battles for. In each of the four zones, you fight a familiar nostalgic battle with Robotnik. As your heart flutters from your excitement of revisiting these famous bouts, half way through the battle Robotnik changes gears and gets a bit more hardcore. Each of the initial four encounters are pretty easy and Robotnik does his usual fleeing as you free your bunny friends. When you finally reach Robotnik’s space station, Sega decided to pull a Mega Man and have you fight Robotnik again in each of his four forms you battled him in throughout the campaign. The only difference in these battles from the previous skirmishes is that the doctor kicks up his rage a notch. None of his geared up antics were too difficult and are unbelievably forgettable. I just beat the game two hours ago and I can barely remember any of his new antics. To top off the insult of mutilating old battles, they decided to change one of the greatest fights with Robotnik at the end of the game. Robotnik jumps into the colossal robotic version of himself with a jetpack from Sonic 2. The major difference between that battle and this one is that you have a homing jump and there are a ton of openings to hit the suit this time. To say the least possible without ruining the tactics involved in this battle, I didn’t have to think or struggle too hard to end the game.

The game doesn’t stand on its own in the series. Fans who may run for this installment of Sonic’s latest and greatest adventure for scraps of nostalgia will be sorely disappointed and only the most hardcore of Hedgehog fans (Laraque) could find any real entertainment in this game. I, on the other hand, wish I played Comic Jumper instead. It is only the first episode of the Sonic 4 series, and more episodes may add more features but the lackluster experience of Episode 1 has left me with the taste of duran fruit in my mouth, something I never want to taste again regardless of presentation.

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Umar Khan

Umar is a true gamer and computer wizard. During his time at Alienware, he connected with Obsolete Gamer CEO, Ignacio and COO, J.A. Laraque and created one of the original writing teams that would go on to create Obsolete Gamer. Always willing to speak his mind even when others hate him for it, Umar always entertains as well as informs.

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