Eric Bailey – Page 3 – Obsolete Gamer

Bomberman II

Of all the tweaks to the original Bomberman NES game, major and minor, the most noteworthy is probably the visuals. From the in-your-face title screen to the overhaul of the main quest looks,Hudson shows off their artistry with crisp, colorful, cool pixel pieces from beginning to end. Every eight-stage Area has a different theme, which determines the color and appearance of the soft blocks, permanent blocks, border, and background color. There are still-frame cutscenes between each areas, showing Bomberman’s continued progression to true freedom. Many of the enemy designs from the original game return fairly faithfully but with an appropriate touch-up. While other elements shine as well, like the fantastic frame-by-frame explosion animation, there is definitely a bit of slowdown when a lot is going on at once on-screen. This is unfortunate, especially later in the game.

Attack of the Killer Tomatoes

The visuals may actually be the high point of the game. The backgrounds are colorful, the animations are smooth, there are few clipping/slowdown issues, certain background elements are animated, the characters look distinctive, and many sprites are handled at once. A couple highlights are the lighting effects under the streetlights in the first level, and the tomato-throwing effects during the opening and the credits. However, there are a couple flaws, such as the infamous switch that must be activated in one level, which reverses the gravity; while the gravity-reversing feat is always great fun on the NES when it is found, the switch very much just looks like a background element and can be easily missed.

Amagon

Considering the patterned movements of many of the enemy obstacles, this already creates the inherent issue of requiring the player to undergo trial-and-error gameplay techniques in order to conquer the game, which provides a very repetitive, unenjoyable time. Even when Amagon is able to transform into the much (much, much) more powerful Megagon, it is still for a limited time, and ultimately a cartridge cannot rely solely on a single appeal in order to make a great game.

Alfred Chicken

The visuals are not awful, but they lack a certain polish. In a way that is difficult to describe yet obvious the moment you see it, the art used is very “flat,” lacking outlines or layers, giving the human player a “washed-out” sensation for everything. All this, despite the fact that the game prides itself on not having a big single color for its backgrounds, instead plastering little stars and crap across the canvas of the levels. Another instance: The first stage’s color sample is in a yellow and brown theme, even though Alfred himself is yellow and brown, and the whole event just feels stale and yucky.

The Adventures of Lolo

Way back in 1988, Hal Laboratories, who would still be churning out quality titles in later decades, released a quirky little cartridge for the Nintendo Entertainment System called The Adventures of Lolo. The colorful opening scene depicts fun, cartoony characters as Princess Lala gets captured in dramatic fashion and is whisked away through the sky from Lolo.So, as Lolo, the player must certainly control a valiant hero across epic landscapes and use a mighty sword to brutally dispatch of repulsive enemies and enormous bosses, right? Not quite – this title, with its round blue main titular playable character sporting big eyes and a cute little tail, throws a monkey wrench into the traditional adventure game.

World Games

One odd side item worth mentioning is a humorous glitch in the Sumo Wrestling game: Although normal gameplay would not reveal it, the wrestling ring level wraps. In other words, what goes off one side of the screen will appear on the other. While it is not possible to walk outside the bounds of the ring without losing the match, there is a move that throws the opposing player backwards. If done at the very edge of the ring, the flung opponent will reach the edge of the screen; or, at least, his head will. This means that his body will be laying still on one side, while his head suddenly jumps over to the other, creating the appearance of a decapitation! Other weird visuals can be achieved with other games, such as the weightlifter who holds the barbells too long and falls through the floor after turning blue.

Adventure Island

The power-ups are interesting, and provide the key motivator. Taking the form of eggs, when they are bumped into, they reveal themselves. The most common is the axe, always gathered first to provide a means of attack. But if Harry runs into other eggs once he has the throwing axes, he can gather further power-ups at the same time, such as riding a skateboard that not only moves forward quicker but also means he can now take an additional hit without dying; or the fairy mentioned before, which provides added protection and a temporary period of differing music. The idea is to make players want to see how many power-ups they can continue getting in a row, until they build into this unstoppable SuperHarry and crash through to the end of the level.

The Adventures of Bayou Billy

And now we come to the reason why this game earned notoriety and an appearance on Captain N: It was overwhelmingly difficult! Rumor has it that the Japanese release was too easy, so for the international version they gave the enemies triple the life energy and lowered the ammo on shooting levels. Despite having practice modes for each of the three types of Bayou Billy levels, the entire ordeal is still excruciating and nightmarish. Only hardcore gamers should bother seeking this one out for its ardent, horrifying difficultly level. All others can safely stay away, leaving this to score a mild two stars out of five.

Wolverine

The problem with the NES iteration of Wolverine is that the concept itself, of taking a popular license character and producing a below-average game with him or her as the starring vehicle, was not original at all. However, the parts of this game that are “innovative” are dreadful aspects, like having Wolverine’s claws damage him as they are used. This video game actually would have been much better had it been a little simpler: Have Wolverine’s claws out at all times without being self-damaging, fix the hit-detection oddities, and voila, a decent platformer. Instead, we have a very “meh” game that could be worth some replay value as a very challenging action title, but still only merits one and a half stars out of five.

Gyruss

The majority of the obstacles to victory consist of groupings of enemies that fly in, dance around in some form of pattern, then make their way to the middle of the screen. Much like Galaga, a handful of groupings will all form together, and should be dealt with before they begin coming back and dive-bombing toward the player. In fact, similar to other shooters such as even Sky Shark, shooting down all the crafts in a particular squadron before they reach the middle garners bonus points.

Elevator Action

After completing a level, the next stage is generated, with exactly the same building, but a randomization of red-door locations. Also, the A.I. gradually become smarter and more sneaky in their tactics (for instance, they may vary between crouching and not crouching when they fire at you), against the sole defense of the player: A semi-automatic pistol that can fire three shots at a time, and kills instantly, much like the one-shot deaths the player may endure.

Cool World

The level design is also very questionable. Some require puzzles to be solved, like on Main Street when the player needs to enter the Slash Club, but has to figure out that he has to blow the lid off a green trash can with a bomb, then push it to the left in front of the bouncers, in order for the smell to drive them away from the entrance. Another level is an unforgiving skateboarding level, with lots of one-hit kill opportunities, slightly reminiscent of that aggravating Great Wall of China stage from Bart Vs. The World.

Disney’s Chip ‘n Dale Rescue Rangers

There is a loose storyline involved the literally named villain Fat Cat and his nefarious efforts at small-world domination, and eventual kidnapping of the chipmunks’ friend. As the player defeats levels, he or she can actually choose a course through different stages, with multiple paths available, similar to Bionic Commando. In addition to the Mega Man games, it seems that allowing the player to choose their own path was a Capcom design staple.

Batman

Another item he can find is health to boost his life meter, which at full strength allows him to take several hits before dying, although even Batman’s death is impressive, as he bursts into a flash of fire. Suffering damage does not incur knockback, and grants a brief moment of invulnerability. Mastering Batman’s skills in movement, melee combat, long-range weaponry, and inventory management will be key to success, as this Batman game boasts a challenging difficulty curve that will prove to be a worthy conquest for even a seasoned retro gamer.

Toxic Crusaders

There are even the usual beat-’em-up elements like a skateboard level (quite essential to any 80’s or 90’s gaming experience) and even an underwater stage. The enemies are pattern-based, as repeated plays will make passing the waves of baddies much easier as the player learns their vulnerabilities, most of which amounts to “do not attack in a straightforward manner; rather, move up or down directly into an attack, or even let them move vertically to you as you are swinging.” Each of the six levels has a boss fight, and there are items hidden in destructible objects that can increase health or mop meter.

Rygar

This game looks grand, from the multi-colored environments that take Rygar through areas of sandy deserts, snowcapped mountain peaks, and even lush woods, to the varied monstrous enemies he encounters, to the detailed backgrounds that put a finishing touch on enhancing the setting. Gameplay itself proceeds at a smooth clip, despite some definite flickering issues, even with just a couple or a few enemies on the screen. Rygar looks like the rugged hero he should, and one can hardly find complaint with the original canon at work here.

The Uncanny X-Men

The “graphics” found in X-Men are genuinely bad. The character sprites are tiny, with only the palette colors enabling you to discern who is who, and not making any effort to showcase the famous characters with any marquee on-screen presence whatsoever. The different levels are a poorly designed, crappy-looking tile-based mess of background haziness, foreground busyness, and bizarre enemies coming from every angle. The navigation screens, like the level selection or character selection, are dull and minimalist, completely uninspired and not making even the least effort to appear interesting or like the developer cared at all about the final product.