Wasteland 1

Wasteland 2 Review

Every location and they way you interact with the people in those locations affects the world in a large or limited way, depending on how relevant they are to the storyline of the game. Much like Fallout 2, this game is also filled with easter eggs, pop culture jokes, and inside jokes. Exploration is encouraged as the game will reward you with rare items which usually don’t seem useful but they may be useful to a character that you might meet after 10-20 hours of gameplay later. It’s this kind of depth that makes Wasteland 2 as enjoyable as playing all the RPGs I mentioned previously. [...]

We Interview Chris Avellone From Obsidian Entertainment: Part 1

Neal Stephenson (with Snow Crash) is not only a huge host of design ideas on just about every page of his books, but he taught me when it was important to describe something and when it was not – there’s a end chapter line in Snow Crash that simply says “and a car chase ensued.” He had no need to describe anything further, that was enough, and it was simple, elegant, and I appreciated he didn’t try to force details and action when none was needed. Scott McCloud’s Understanding Comics to this day makes me understand why it’s better to have less voice and less focus on ultra-realistic visuals if you truly want a player to empathize with a subject. Sometimes it’s easier to empathize with a stick figure than a highly-rendered 3D model, and it’s because the viewer is able to project more of themselves onto an abstract than something someone else has excessively detailed. [...]