NES, Genesis, Master System, Neo Geo, NES, TG-16, you know the deal, all console games here.
There is a loose storyline involved the literally named villain Fat Cat and his nefarious efforts at small-world domination, and eventual kidnapping of the chipmunks’ friend. As the player defeats levels, he or she can actually choose a course through different stages, with multiple paths available, similar to Bionic Commando. In addition to the Mega Man games, it seems that allowing the player to choose their own path was a Capcom design staple.
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Devil’s Crush, like its prequel, again features bonus tables too – six this time – and the main table is festooned with pockets through which you can enter them (when the pocket is open). On each of the bonus tables, the object is to take out the evil creatures that dwell within. These range from large dragons, skeletal heads, undead knights, and all manner of smaller, but equally malevolent foes. The only way to end this game it to max out the score counter, which, if you can manage it, would be 999,999,990!
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Another item he can find is health to boost his life meter, which at full strength allows him to take several hits before dying, although even Batman’s death is impressive, as he bursts into a flash of fire. Suffering damage does not incur knockback, and grants a brief moment of invulnerability. Mastering Batman’s skills in movement, melee combat, long-range weaponry, and inventory management will be key to success, as this Batman game boasts a challenging difficulty curve that will prove to be a worthy conquest for even a seasoned retro gamer.
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There’s some really unique game play here, which won me over right away: There’s an overview of the “neighborhood”, which consists of the 5 houses that Harry and Marv are trying to rob. The game gives you 20 minutes to slow down the Bandits before the cops arrive. You do this by staying ahead of them inside the houses. Moving around the neighborhood in a motorized sled, you enter each house to set up traps. Once you’ve entered, there’s a blueprint map where you do this; marbles, toys, oil…a number of things to slow them down, because they seem to be too stupid to look down at the floor, I suppose. Once they’re inside, you go into “attack” mode, using weapons against them.
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The biggest difference between this and the first Fantasy Zone game is that each round is now divided into several different areas. Destroying enemies still releases coins (and notes now, too) of varying value but some Menon bases leave behind a blue warp instead. These allow you to travel back and forth between the areas, each of which generally contains four or five bases. There is also one base that will leave behind a red warp when destroyed. This leads to the boss but you can’t enter it until all the bases are destroyed.
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The game is called Toilet Kids and is about a kid who goes to the restroom in the middle of the night and gets sucked in. The kid wakes up in a world where everyone looks like toilet fixtures and he has to fight his way out. One of the best things is the boss of the game is called Urinal, seriously I could not make this up.
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There are even the usual beat-’em-up elements like a skateboard level (quite essential to any 80’s or 90’s gaming experience) and even an underwater stage. The enemies are pattern-based, as repeated plays will make passing the waves of baddies much easier as the player learns their vulnerabilities, most of which amounts to “do not attack in a straightforward manner; rather, move up or down directly into an attack, or even let them move vertically to you as you are swinging.” Each of the six levels has a boss fight, and there are items hidden in destructible objects that can increase health or mop meter.
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Overall, I like the game. The graphics are nice and colorful. The bright, yellow chicken moves its little feet quickly across the road. I say “little”, but it’s about 5 foot long. I like to pretend it’s escaping from KFC ‘s Double Down assembly line. The many cars look different, with unique shapes and sizes. A neat little animation of the chicken getting knocked backwards is a nice touch.
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This game looks grand, from the multi-colored environments that take Rygar through areas of sandy deserts, snowcapped mountain peaks, and even lush woods, to the varied monstrous enemies he encounters, to the detailed backgrounds that put a finishing touch on enhancing the setting. Gameplay itself proceeds at a smooth clip, despite some definite flickering issues, even with just a couple or a few enemies on the screen. Rygar looks like the rugged hero he should, and one can hardly find complaint with the original canon at work here.
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The “graphics” found in X-Men are genuinely bad. The character sprites are tiny, with only the palette colors enabling you to discern who is who, and not making any effort to showcase the famous characters with any marquee on-screen presence whatsoever. The different levels are a poorly designed, crappy-looking tile-based mess of background haziness, foreground busyness, and bizarre enemies coming from every angle. The navigation screens, like the level selection or character selection, are dull and minimalist, completely uninspired and not making even the least effort to appear interesting or like the developer cared at all about the final product.
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Old guy died and his ghost is still “haunting” the house. There are other creepy-crawlies in there as well. Four floors to the house with six rooms on each floor, stairs seperating the floors. Some doors are locked, so finding the master key is “key”. There’s a magic scepter which will keep away the creepies, but not the ghost. OBJECTIVE: Find the three pieces of an urn and return to the front door. Seems simple, but there is a catch. You can only carry one item at a time. So, if you are keeping the monsters away with a scepter, you can’t use the key to open doors. If you’re carrying the urn, you can’t…you get the idea.
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Another title for the books! Wrecking Crew is a simple game that keeps repeating and repeating over and over. The game consists of Merio which is trying to destroy buildings and such. There is this dude called Werio that won’t let him do it, in fact he is trying to hammer his ass to prevent him from wrecking everything(must be an environmentalist). Your main objective as Merio is to well wreck everything but along the way you have to deal with Werio and some fish with legs that try to kick your ass. The worst part of this game is that you can’t jump! I guess the hammer must be too heavy for Merio to jump with.
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Usually, movie-themed video games are developed too quickly, as they seek to capitalized on a film’s popularity as rapidly as possible. While this may have been the case with Jaws, it does not show; the game is actually decent on its own merits, with some interesting themes. For example, there are a few modes of play: The overworld view, where the boat seeks upgrades while trying to avoid Jaws; the diving scenes, where the diver attacks creatures while collecting items; and bonus scenes, where bombing jellyfish (yes, bombing jellyfish) earns extra points toward upgrades; and a special section, whenever Jaws’ energy is depleted in the diving scenes. There is even a “hidden” mini-sub upgrade for the diver, making him faster and providing more firepower
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For whatever reason, I was forced to “fight” her, when all I really wanted to do was let her break a nail on my Kryptonian abs and make her go poop in her cat box. Despero is next, which is nice, because he’s a tough dude, and…well…HE’S A BAD GUY!! Darkseid is still not ready to face me yet, as he throws a Superman robot at me, I guess trying to confuse me. He forgot that as a boy in Smallville, I used to make these robots so Lana Lang wouldn’t think Clark/Supes were the same person. Should have done your homework, son. After the recycling was taken out, Darkseid decides to come after me himself. Getting hit with those Omega Beams, I thought,”Boy, he always talked a lot of smack about these, but they’re not really doing that much damage? Kind of a wimp.”
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This was the second and final Star Wars game released on the NES, and for some reason, it feels like it takes a step backward. Maybe it is the slightly more linear gameplay, the seemingly increased challenge, or an intangible “feel” that separates it from the original, but this game is not as fun as the previous. As a two-dimensional platformer, it is decent at best, and eclipsed by many earlier titles from other developers. Some of the portions of the gameplay that are not taking place in a side-scrolling environment are nice, but do not detract from the title’s primary fault: Its immense difficulty.
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Contact with some of the hazards found in the levels, such as spikes or electric forcefields, can cause instant death too, so careful planning is required for the most part, rather than charging around recklessly. Fortunately, hit points are replenished each stage and there are also a few items that can help you such as various foods to replenish your energy and smart bombs to clear the screen of enemies. These items can be transferred from one Viking to another too, depending on who’s most in need, which further emphasises the teamwork aspect of the game which is so prevalent. In fact, in some versions of the game (including this one) it’s possible for you and a friend to control more than one Viking at once.
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Seeming to focus on connecting with the source material of the television show, the game features enormous close-up shots of characters and features (the Airwolf crest must been seen to be believed, and the pocketknife beside the glasses on the sheet of paper that missions get typed onto is a nice touch) between stages, emphasizing the looks of those details rather than the in-game graphics, which are rather crude. The weapon fire is generic geometric shapes, the enemy craft are ill-defined (though decent), and other than the needlessly complex-looking control panel, the entire background is separated into two colors: One for ground, the other for sky, and the colors change every level.
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